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30 A Journal of Contemporary Shamanism Volume 6 Issue 1 SPRING 2013 the universal consciousness embrac- ing the earthly and cosmic realms. I call them holographic exercises because they operate at the level where every- thing is still connected. So by moving the body in the way of Gaias Touch the whole noosphere of Gaia or its particular aspect is also being moved. The Gaia Touch language could become a constant source of dialogue between individuals and groups if performed on a regular basis. Language of Cosmograms As a professional artist I am also interested in the holographic form of lan- guage. Could a visual message be formu- lated in such a way to be understood by the noosphere of the landscape with its many beings and dimensions By explor- ing the invisible dimensions of places and landscapes I started to look for patterns of their identity underlying their visible appearance. I realized that by transform- ing them into visible signs they can act as a means of communication and healing within a given environment. Lets say for example that a place was destroyed due to building operations that ignored the geomantic phenomena of the place so that its true identity was completely lost. And lets say that a new owner would like to restore the place to its original state of vitality. In this case someone would need to dive deep into the memory of the place and find out the locations original identity patterns. Such patterns can then be translated into visual signs that I call cosmograms. Carved for example in stone and positioned at the acupuncture points of the place they would help to restore the original strength and inner beauty of the location. Cosmograms are not simple symbols even if they look like this. They have to be designed in such a way that beyond their form they operate also at the level of vibration to be perceived by beings which have no eyes to see at the physical level. This capacity of cosmograms can be achieved by consciously bending their lines in such a way that they are emitting clearly defined vibrations. Partly it depends on the way they are carved in stone or how they are created in some other material. In the case of stone they are carved in a concave way so that forms of the cosmograms are catching sunlight more intensely. Through the interplay between light and shadow the etheric form of the cosmogram appears that can be perceived by the noosphere of the place. Language of Creative Rituals Also rituals can be seen as a form of universal language that can be compre- hended by all different members of Gaias noosphere. I do not mean only tradi- tional rituals. Language of ritual forms can be created in each given moment when there is a need to communicate something to the consciousness of what I call Earth Cosmos. I call such rituals creative rituals because of their practi- cal purpose. I work for example with a group in a place which has been dam- aged through war or some other aggres- sive act. The place is traumatized and as a consequence its beings of consciousness are frozen. I feel free in such a case to create a corresponding ritual through which the divine mercy or powers of transmutation can work to melt away the traumatic effects along with their causal patterns. Usually there is no need to repeat it because the healing wave comes in instantly as a response to the demand expressedeven without any word through the rhythms of the ritual. No less important are personal ritu- als through which one can speak to the personal elemental being or other aspects of our own multidimensional world. I prefer those created in the form of imagination where our creative poten- tials combined with emotional qualities are involved not so much the mental realms as in the case of visualizations and affirmations. Human civilization has arrived at the ultimate crossroads. If we continue to destroy our home planet and to ignore its highly evolved Gaia consciousness we will have to leave the Earth and find another place in the universe where we can continue with our madnessif there is such a place in the universe. The alternative is to change and to find again the way to talk to the elementalcos- mic noosphere of this beautiful planet heading towards dialogue coexistence and cooperation. Creating the proper language that all beings involved can comprehend is one of the primary tasks of the moment. About the Author Marko Poganik www.markopogacnik. Born 1944 in Kranj Slovenia and graduated as a sculptor in the Academy of Fine Arts in Ljubljana 1967 he lives with his family in empas Slovenia. Marko is the author of numerous books in German many of which have been translated to English Nature Spirits and Elemental Beings 1996 Healing the Heart of the Earth 1998 Sacred Geography 2007.